That is something every family can relate to. We also got to see the struggles of two brothers in their attempts to get along with each other. The producer who offered a “creative reason.” Really? Like the show hasn’t found lots of creative plotlines in the past 4 years without resulting to desperate measures like these.Īs for the OP’s comment “a character we all know, but probably didn’t love” - I beg to differ! I think many loved the character of Nate and could relate to his flawed and well-meaning attempts to help his brother. I see no compelling reason to kill off Nate Weston, despite those offered here.
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In less serious news, we had the return of Barry this week, so at least the left-behind Sam had something to do.
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At the very moment of his triumph, when Anson is killed, he loses his brother. Michael internalizes everything, so I am guessing this will mess him up in the head for a long while. There’s his mother to deal with (my impulse would be to slap him, too), and also his own guilt in dragging Nate into his whole burn notice/save Fiona mess. I didn’t mind him, though he was annoying at times, but I can see how his death will really shake things up for Michael. “Do not approach him?” Really, Michael? That is exactly the way to get Nate to want to prove something to you after you kicked him off the team. RIP, Nate. But, seriously, I know the agency hates Sam, but how did Agent Pearce let NATE of all people go along to get Anson instead? Even Maddie would have been a better choice. Okay, I guess with Fi out of commission they are understaffed. Again this week, though, Michael seemed to criticize everything Nate did, making me wonder why Michael brought him along. I was just thinking last week that he was getting to be quite the member of Michael’s crew, too. Burn Notice dropped a big shock on its viewers this week: the death of Nate Westen.